Venue: Central Hall (Renshaw Street)
I’ve walked past the building many times over the years and never
had a reason to venture inside.
Scouse: A Comedy of Terrors was
that reason and I wouldn’t be disappointed!
This hidden gem of a theatre space is beautiful and I hope it continues
to be used and be restored to its former glory.
I didn’t know what to expect from this show; comedy or
tragedy? I came away knowing I had both.
The script is deliciously cruel with a splatter of comedy, delivered
with perfect scouse timing. The play
grabs you from the start and takes you on a ride filled with Liverpool history,
political unrest and tragedy.
The scenery was very cleverly put together and the whole
space was used wonderfully. Special
mention to the director Margaret Connell,
who made the transition between scenes seamless and little touches, such as the
confessional scene, were very effective.
The show has a very strong cast, particularly Jackie Jones and Peter Washington, who play Kath and Tom respectively. Quiet often in plays, people who play couples
don’t always look right together or try to hard to suit each other but these
two actors were very believable and there was an honesty in their performances
that you don’t always see. Their
daughter (Susan), played by Katie King,
was brilliant. Her character changed
throughout the play, which is often difficult to do, but she performed it with
ease and I would like to see her in other roles. Her brother (Ben), played by James Ledsham, was equally great and
played his character with passion and truth.
Tina played by, the ever dependable, Louise Garcia, epitomised the scouse tart. Nicola Ferguson played Lisa, and gave a very
moving piece alongside James Ledsham. Curtis Watt played a very good Father
Clive and had some great ones liners and delivered them with good comic
timing. Michael Hawkins was the most versatile actor, playing a number of
roles. He had different accents and I
couldn’t tell which was his own voice, if any!
Macca, played by Reg Edwards,
was perfect for Tom’s best mate and James McMartin (Big Frank) finished off the
gang wonderfully.
All in all I wasn’t expecting the play to be as good as it
was and I came away thinking it was a scouse version of Les Miserables (Minus
the songs). Yes there is strong language
in the lay but it isn’t over used and reflects language that is used.
If you are looking for a thought proving night out that will
make you laugh and cry then this is the play for you!